The Bach Hour | Classical New England
A production of
The virtually limitless well of music by J.S. Bach has always had a prominent place on radio airwaves in Boston. Whether it’s an iconic work like the Toccata and Fugue in D minor or a rarely heard but emotionally riveting church cantata, Bach’s music is a touchstone, returning listeners to a foundation on which so much subsequent music has been built.
The Bach Hour grows out of a tradition begun in the early 1970's by Robert J. Lurtsema of WGBH 89.7 FM. As one of the earliest sets of the complete Bach cantatas on record (Leonhardt and Harnoncourt) was being released, they became a regular fixture on each Sunday's edition of Morning Pro Musica, Lurtsema's unique daily program. Now, on The Bach Hour, those cantatas, with the rich and diverse range of performances now available, are heard on the calendar days for which they were written. Combined with recent and classic recordings of Bach's instrumental masterpieces and occasional interviews with significant interpreters, each week's program offers a chance to connect more deeply with this bedrock composer.
More about The Bach Hour
For more Bach, visit our 2013 Bach Month celebration online, with Bach Minutes, video, and more.
Related Features
The virtually limitless well of music by J.S. Bach has always had a prominent place on radio airwaves in Boston. Whether it’s an iconic work like the Toccata and Fugue in D minor or a rarely heard but emotionally riveting church cantata, Bach’s music is a touchstone, returning listeners to a foundation on which so much subsequent music has been built.
The Bach Hour grows out of a tradition begun in the early 1970's by Robert J. Lurtsema of WGBH 89.7 FM. As one of the earliest sets of the complete Bach cantatas on record (Leonhardt and Harnoncourt) was being released, they became a regular fixture on each Sunday's edition of Morning Pro Musica, Lurtsema's unique daily program. Now, on The Bach Hour, those cantatas, with the rich and diverse range of performances now available, are heard on the calendar days for which they were written. Combined with recent and classic recordings of Bach's instrumental masterpieces and occasional interviews with significant interpreters, each week's program offers a chance to connect more deeply with this bedrock composer.
More about The Bach Hour
For more Bach, visit our 2013 Bach Month celebration online, with Bach Minutes, video, and more.
The Goldbergs in Brass
Cantata No. 75 with Emmanuel Music
Riccardo Chailly's New Way and the Brandenburg Concerto No. 6
Violin Sonata No. 3, Cantata No. 172
The Ascension Oratorio
A Struggle Against Darkness in the Cello Suite No. 2
Brasil Guitar Duo's French Suite and the Cantata No. 166
Cantata No. 12, and Brandenburg Concerto No. 4
Lost and Found Bach
French Suite No. 1 with David Fray, and Cantata No. 6
The Easter Oratorio
The Cantata No. 182 for Palm Sunday
Seiji Ozawa Conducts Bach
Missa Brevis in G minor, and Jeremy Denk's Partita No. 3
Richard Egarr on The Well-Tempered Clavier, and the Missa Brevis in F
Aisslinn Nosky's Partita No. 3, and the Missa Brevis in A
The Mass in B Minor, with Conductor David Hoose
Oboist Albrecht Mayer, and the Cantata No. 127
Genius Out of Intolerance: the Cantata No. 126
Erik Bosgraaf's Transcription and the Cantata No. 144
A Concerto with Murray Perahia, and the Cantata No. 155
Tackling the Enigmatic Fourth Cello Suite
The Christmas Oratorio, Part 6, in Concert
The Christmas Oratorio, Part 5, in Concert
The Christmas Oratorio, Part 4, in Concert
The Christmas Oratorio, Part 3, in Concert
The Christmas Oratorio, Part 2, in Concert
The Christmas Oratorio, Part 1, in Concert
Cellist Pieter Wispelwey Plays Bach
Collegium Vocale and the Cantata No. 78
Avi Avital's New Voice for Bach
Cantata No. 29 and Orchestral Suite No. 1
Bach in the Back Bay and Cantata No. 38
Violin Partita No. 3 with Isabelle Faust and the Cantata No. 180
Walton's The Wise Virgins & the Cantata No. 56
Pianist Ramin Bahrami, and the Cantata No. 69a
Cantata No. 19, for St. Michael and All Angels
Cantata No. 161 and Cello Suite No. 1 on Viola
The Brilliance of Cantata No. 51
Violinist Anne Akiko Meyers, and Cantata No. 131
Countertenor Andreas Scholl Sings the Cantata No. 82
Bach in the Berkshires
Cantata No. 105 and Concerto for Two Harpsichords
Concerto for Three Violins and Cantata No. 178
Andreas Scholl's Cantata No. 170, and Albrecht Mayer's Oboe Concerto
Cantata No. 93, and Anne Akiko Meyers in the Violin Concerto No. 1
Cantata No. 177 and Transcriptions
Cantata No. 7, and Haynes's Brandenburg Concerto No. 11
Cantata No. 2, Orchestral Suite No. 3 from the Boston Early Music Festival
Simone Dinnerstein's "Something Almost Being Said"
Trevor Pinnock in Boston
Cantata No. 103 and the Triple Concerto
Cantata No. 85 & Solo Violin Partita No. 2
Harry Christophers on the St. Matthew Passion, Part Two
Harry Christophers on the St. Matthew Passion, Part One
Lara St. John and Marie-Pierre Langlamet
The Art of the Fugue, and Cantata No. 181
Salonen Conducts Schoenberg's Vision, and the Cantata No. 73
Cantata No. 123 at St. Nicholas Church
Glenn Gould's Goldberg Variations
Cantata No. 63, for Christmas
Cantata No. 132 & Canonic Variations on Vom Himmel Hoch
Orchestral Suite No. 2 & Suzuki's Cantata No. 62
Harnoncourt's Cantata 61 & the Goldbergs on Harp
Cantata No. 115 and Prelude, Allegro, and Fugue
Cantata No. 109 and Violin Concerto in E
Cantata No. 79 and Brandenburg Concerto No. 1
Cantata No. 169 and Harpsichord Concerto in E
Mark Padmore in the Cantata No. 114
Pianist Jeremy Denk, and the Cantata No. 17
Ryan Turner On Cantata No. 12
Morimur
Cantata No. 46 and Suite for Lute
Brandenburg Concerto No. 5, Cantata No. 186
Cantata No. 9, Orchestral Suite No. 2, and Anderson & Roe
Cantata No. 93 & Keyboard Concerto in D minor
Cello Suite No. 6 & Cantata No. 135
Cantata No. 39; Reconstructed Violin Concerto in D minor
Cantata No. 43 for Ascension, and Orchestral Suite No. 1
Cantata No. 108, Keyboard Partita No. 4
The Trost Organ at Altenburg in Cantata No. 146
Mary Greer on The Bach Experience
Cantata No. 42 and the Triple Concerto
Cantata No. 31, for Easter
Coffee Cantata and Cantata No. 159
Maxim Rysanov's Cello Suites, and the Cantata No. 92
Cantata No. 81, Brazilian Guitar Quartet, & Borromeo String Quartet
Cantata No. 111, Flutist Joshua Smith, and German Brass
Cantata No. 13, and Simone Dinnerstein
Cantatas for Epiphany
Cantata No. 41 and English Suite No. 4
Cantata No. 110 and Orchestral Suite No. 4
Magnificat
Simone Dinnerstein's French Suite No. 5 & the Cantata No. 36
Cantatas Nos. 90 & 116, and British Transcriptions for Piano
Cantatas Nos. 60 & 26
Violinist Rachel Podger, and Masaaki Suzuki's Cantata No. 139
Cantata No. 80 on Reformation Sunday
Singet dem Herrn ein neues Lied, Cantata No. 148
Interview with Ryan Turner, Cantata No. 95
Cantata 138, Mass in B minor (Gloria), Prelude and Fugue in E-flat, St. Anne
Cantata 77, Orchestral Suite No. 4, Italian Concerto
Cantata 137, Violin Sonata No. 1, Feinberg transcriptions
Cello Suite No. 3, Cantata No. 199
Cantata No. 101
Cantata No. 94, Masaaki Suzuki WTC II
Cantata No. 45, Richard Egarr WTC II
Violin Sonata No. 3, Cantata No. 187
Cantata No. 177, Horszowski, Lislevand
Cantata No. 21
Cantata No. 76, Trio Sonata in E minor, BWV 528
French Suite No. 5, Cantata BWV 20
Cantatas, BWV 68, 175, & 176
Cantata No. 59, Riccardo Chailly interview
Cantata No. 12 & Concerto in C, BWV 594, for organ
Cantatas, BWV 66 & 145
Bach's Birthday
John Harbison & Balint Karosi
John Harbison & Balint Karosi: complete interview
Jesu, meine Freude, BWV 227
Der Geist hilft unser Schwachheit auf, BWV 226
Singet dem Herrn ein neues Lied, BWV 225
Cantata No. 18, Violin Concerto in E, BWV 1042
Cantata No. 84, Orchestral Suite No. 2
Cantata No. 111, Solo Violin Sonata No. 2
Cantata No. 3, Flute Sonata in B minor